Interested collectors please contact info@residence-gallery.com for details on acquiring work in archive.

ARCHIVE

2006

BEN HEASMAN
ASYLUM - THE LAST COMMISSION

19 Dec. - 23 Dec.

CLOSING PARTY : FRIDAY 22 DECEMBER:
THE RESIDENCE, 168A VICTORIA PARK ROAD, LONDON, E9 7HD

6PM: Pre-Party Exclusive Art Benefit Gig featuring live acts:
PATRICK WOLF and EDWARD LARRIKIN, compered by BISHI.
(limited to ticket holders only- see below)

7:30pm - 10pm:PUBLIC VIEWING PARTY (NO TICKET NEEDED!!!)
Public party to celebrate Ben Heasman's Asylum - The Last Commission, the last Residence presentation before the gallery's relocation in March 2007.

With DJs, ROWDY SUPERSTAR, INGRID Z and BABY FACE DAVE.

"Asylum - the Last Commission" was broadcast late one night on television six years ago, now only a vague "inter-textual" memory as the film awaits further distribution. Spaces in East London were depicted, abandoned, that's about all I remember, along with some tears. No one knew what was lost, a woman tried to find it with a microphone, faith, walking. Exactly at this time, the East London Space of "The Residence" was abandoned by a curtain maker. As the residence prepares to leave, it foresees asylum - the last commission.

-Ben Heasman
 

www.flickr.com
Asylum threresidence's Asylum photoset


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THE CONQUEST: THE MARMITE PRIZE

12 Dec. - 17 Dec.

THE GALLERY WILL BE TAKEN OVER FOR 1 WEEK* BY THE WINNING PROPOSAL TO OUR CALL FOR THE CONQUEST...
(*concept Aaron Head)

For over the past year Director Ingrid Z and her crew have endured a heart racing rush of weekly exhibitions and events. As we come to the close of 2006, it's time to turn the tables before our next move. During this week we join you the spectator on the other side of the looking glass to experience...

THE MARMITE PRIZE

The Marmite Prize is an open submission painting exhibition, judged by a distinguished panel of artists and curators:
Mark McGowan
(performance artist)
Harry Pye
(artist and independent curator)
Dallas Seitz (artist and director of 1,000,000mph project space)

The Prize
Winner (500g jar of Marmite): Michele Fletcher
Runners Up (250g jars of Marmite:Mat Humphrey and Kate Lyddon

The first Marmite Prize is dedicated to Georg Baselitz.

 

The Curators
The Marmite Prize is curated by
Marcus Cope
and Stephanie Moran.
"We are bored by most exhibitions we see and want people to become more aware of the possibilities when hanging shows like this. We like to make exciting exhibitions that are more about the collective and less about the individual ego, we wish to impose a curatorial structure, challenging viewers' perceptions of the work."

Previously they have done this by making a large-scale floor painting and using coloured lights (in 'The Circus Show', 2006, Three Colts Gallery); turning the floor into a giant pink and turquoise chess board (in 'Through the Large Glass', 2006, Three Colts Gallery) to bring together disparate works; or having artists work on pictures whilst the show is running ('We Can Work It Out', 2004, Three Colts Gallery).

Contact:
Stephanie Moran herecomethebees@yahoo.co.uk, or
Marcus Cope greenthingsarenice@yahoo.co.uk

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DR. YOUNGSUN PARK
OUR WORLD IN YOUR WORLD

5 December - 10 December 2006

Our World in Your World is a video installation about two different people's story of finding each other's inner-feelings. They go through a process of understanding each other's inner-feelings to form their own world.

"I want to show that even if they want their own world they are in a society with many other people. We can think about the relationship with other people and society. We can think about our position in our society. I challenge the audience to think about the following questions by showing two people's story:

Do we have our own world but avoid society? Do you feel that you are a member of the society and happy with them? You want to be with other people but do they avoid you? Can you identify our existence with our position in society?"

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LINES ON THE LAND

New paintings, drawings and etching
by Lucy Farley and Kate Brigden

21 November - 26 November (extended! to 3rd of December)

This show brings together a collection of recent works inspired by a journey from Berlin to Eastern Europe earlier this year.

Kate Brigden and Lucy Farley spent time studying the changing landscapes. They both found that their work was dramatically influenced by an area steeped in history. The countryside forms a backdrop for stories to emerge using imagery borrowed from different places and times. Both artists' approach traditional subject matter with a new element by combining different methods and procedures of mark making, not usually associated with each other.

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DUNMORE-CUEVAS
FRUITS D'AMOUR

14 Nov. - 19 Nov.

"Fruits d'Amour" represents Anglo-Chilean artist team Dunmore-Cuevas first show in London. Currently based in Bristol, and previously in Santiago de Chile, Dunmore-Cuevas will be showing work created especially for the show featuring new bold paintings about the omnipresence of love and other musings by Joseph Dunmore and new, fresh and funky sculptures that emanate love by Vivi Cuevas.

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COLLECTIVE PARTICULARS

Kazushige Aoshima (Japan)
Irina De la Flor (Spain)
Andrew Hollis (South Africa)
Edward Wright (Australia)

7 Nov. - 12 Nov.

Collective Particulars is an exhibition of four international artists dealing with the aesthetics of identity and the place of the individual within society. This exhibition brings together four artists from four different continents, each endeavouring, through the exploration of the descriptive qualities of their chosen mediums, to frame an aspect of the common subject. Each approach is different, yet together they combine to form a multi-faceted response to the politics of representation. Combined, they are a testimonial to the shared experiences of seemingly disparate individuals in the age of globalisation and cultural homogenisation.

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STEPHEN CLIFTON
Why Waste Time?

24 Oct. - 5 Nov.

'My work is a response to, and an exploration of, the
transient and ephemeral nature of our constructed
environment and the material that we attract and
discard.' SC

Stephen is a graduate of the Kent Institute of Art and
Design, and has been producing and exhibiting his work
for almost 20 years. His fascinations are archaeology,
advertising and the built environment, to name a few.
The paintings shamelessly cross the boundaries between
abstract and figurative, painting and collage, mechanical reproduction and the human mark, producing a fascinating and thought provoking commentary on the effects of time, decay and human whim on our urban environment.

'When the swirling dust of destruction settles,
All that is left is the rubble.

When the soil of centuries covers the rubble,
All that is left to wonder at is the destruction.' SC

View more images here

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DAVID JOHN BEESLEY
Men Kill Dragons Because They Had Beds of Gold

10 Oct. - 22 Oct.

In these playful new figurative paintings we are presented with a mythological approach to criticise the current state of humanity. Beesley has titled his exhibition "Men Kill Dragons Because They Had Beds of Gold" to indicate "humans have put their social status and material greed above their imagination." Beesley is an active member of the Stuckist movement arguing for an "Art that speaks to its people." He is also working on "theories of artistic ideals in the phiolosophy of critical realism."

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NOW OR NEVERLAND
2nd Annual On-The-Fly Art Fair


The last night of September '06 welcomes
last minute miracles
at The Residence.
MANY ARTISTS. 1 SMALL SPACE. NO TIME TO WASTE.
This second annual On The Fly Art Fair is born out of an open invitation to conceive, make, and display works of art within the span of 24 hours. Artists will be presented with a mystery set of compulsory gallery-issued booty the night before the exhibition is launched. They have been ordered to create works from the prizes of a Hackney hunt for discarded treasure, conducted by Ingrid Z, Dayvid Lott, Patrick Wolf and Jo Apps.
This year's fair is inspired by a rococo sense of artificiality, indulgence, fantasy, and game-playing, in a time of battle over politics and religion.
Expect the unexpected as artists from all levels of skill and media converge to transform The Residence into a wonderful wonderful world!?!?!*!*!*

FEATURING:

Lucinda Mudge
Jonathan Gilbert
Jay Rechsteiner
Dafne Louzioti
Charlie Schultz
nicholas scammell
Lisa Freeman
Erin Newell
Cecile Emmanuelle Borra
Damian Thompson
Sophie Pearce
ian marshall
Anna Wojtczak
Rachel Russell
Nusa Pavko
Gina Melosi
jonathan gabb
Morgan Beringer
Paul Vivian
Eleana Louka
Helen Schoene
Rupert Jessop
Erin Kornfeld.
Mika Sembongi & David Barrington
Victoria Dean
Dayvid Lott
Ingrid Z

*Please note the exhibition incorporates the remnants of the former Future First History Last exhibition
.


www.flickr.com
NOW OR NEVERLAND threresidence's NOW OR NEVERLAND photoset

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www.flickr.com
This is a Flickr badge showing photos in a set called FUTURE FIRST HISTORY LAST. Make your own badge here.


FUTURE FIRST / HISTORY LAST
THE RESIDENCE'S 1 YEAR ANNIVERSARY

2nd Sept - 17th Sept

With Tom Witney's triple-decker cake launch!
Performance by Gitte Bog and ADVENTURE TOUR with SIMON OULD, leading us on a prophetic journey into the future as we walk from The Residence to Tate Moss for the after party.
"I know the future and it will be later on..."
What will Hackney look like 300 years from now?

Featuring work exclusively by artists who have shown in the gallery since its birth, FUTURE FIRST presents a floating exhibition of the future. Each artist's work is encapsulated in a helium balloon that will slowly sink to eye level, shrink, and plummet to the ground through the passing of time. HISTORY LAST presents itself in the newly refurbished interactive blackboards of The Residence's Black in Back Room. Here you will find a revised history of art proposed by a survey of public opinion. Through a process of osmosis where historical information is filtered by media, culture, class, rumour, education and personal preference, we reveal the more hidden impacts of art history and the significance of its relationship to the outside world.

Featuring: Claire Anderson, Jane Anderson, Imelda Apps, Matt Ashdown, Nori B, Claire Brewster, Penny Broadhurst, Jubal Brown (Canada), Blair Butterfield, Rachel Cattle, Lee Cavaliere, Annabelle Dalby, Ralph Lyndon Dorey, Richard Forbes-Hamilton, Lisa Freeman, Ella Golt, Elizabeth Gossling, Daedalus, Danielle Drainey, Dawn Hannah, Clare Hansford, Dan Holliday, Darren Jones, Oggy Jordan, David Kasdorf (USA), Calum F. Kerr, Emilie Lindsten, Lucinda Luvaas (USA), Lucy May, Gina Melosi, Nick Morley, Ella Nordström, Nina Ogden, Michael Pybus, Declan Rooney, Steve Rosenthal, Carla Scott, Kirsten Rae Simonsen (USA), Scott Groeniger (USA), Caroline Thomson, John Vincent, Elizia Volkmann, Richard Yates, Mio Izawa, Ingrid Z and MORE!

AFTER PARTY at TATE MOSS
(Unit D7, 22 Marshgate Lane, E15 2NH)
Compered by Holestar
PERFORMANCES by Miss Lala Lovette, Rowdy Superstar, Gabba Not Abba, Ulterior... VIDEO projection by FAMEFAME (Canada)...
with DJs Jo Apps, Nadia Ksaiba (Our Disco), Patrick Wolf, Little Paper Squares, Michael Baked Goods, and The Craig Template (Club Myra)...

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JOHN VINCENT
O HAVE YOU SEEN THE DEVLE

July 19 - 30

In a dream, time and space become distorted, images, objects and people are not always what they appear. In a nightmare, this is driven to a terrifying extreme. Moments in time are reconstructed so that its malevolent cause might be brought under control.

The exhibition "O HAVE YOU SEEN THE DEVLE" uses these concepts as its basis. Blending a mixture of fact and painterly fiction, the work looks in to the exploits of one nefarious individual from London's dark past, one who casts a long shadow within the popular imagination. In an existence far removed from his own time, the reconstruction is in the present form. In an attempt to reveal the identity, a suspect is dragged from the dim gas lit streets of yesteryear to a world where it should be impossible to hide under unforgiving halogen lamps with activities pursued by the encompassing video eye.

The fragments that remain from this journey are collected, reconstructed and an alternative reality is generated. With the information gathered and the investigation begun, you are invited to bear witness.

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CURIOUS NATURE

11th - 16th of July

Featuring Richard Yates, Anna Mizera and Libby Murphy

Polish Artist Anna Mizera has been working and exhibiting in London for the past 4yrs. Mizera's work focuses on geological formations and the processes of fossilization. Emulating the visual imprint left by a living creature, the paintings she creates resonate with a sense of the familiar and the alien, forms half realised and then lost to us.

The production of handmade sweets forms the basis of Libby Murphy's work. In particular the kneading and manipulation of molten sugar by a distinct individual.

Working from found images, objects and memory, Richard Yates' recent body of work places the human figure in scenes of fracture, solace and pleasure, within an unfolding narrative.

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CARLY ABBOTT & NANDA KHAORAPAPONG
2ND SITE

4th - 9th of July

English artist Abbotts' photographs fall under contemporary documentary focusing on areas that are to be built upon by the 2012 Olympics. Working closely with the developing maps for the Olympics, the sites have been photographed, and titled what they will be. These urban landscapes look at the fact people viewing the pictures may not be aware of where construction is going to take place. Do you know? Is this your area? Maps will also be exhibited.

Chinese artist Khaorapapongs' photographs relate to the way in which people are situated within city space. Compositionally the images capture people and the space around them from various points in the city.

The Residence gallery itself is situated at the heart of Victoria Park Village in London's East End. Victoria Park Village was built in 1842 making it the oldest public park in the United Kingdom.

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NICK POTTER (USA)
UTOPIA

June 28 - July 2

Simulations of utopia, of desire. The unobtainable artificial.

Fantasies and nightmares that represent our need to wish for a reality unlike our own.

Like the opening scenes in Hollywood disaster movies: On the surface, everything is calm. Nice furniture. Neat, polished floors. Like the catalogue. Like the dream. But there's a vibration beneath the surface. There's a mask emerging from the wall. Humidity. Memory. The sense of something more, the way we know there's life beyond the image of the world prescribed by television but we can't quite find it.

Production is dead, long live reproduction.

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Video Still from Antonio Gianasi's Amore Che Esplode (Exploding Love)

SPRAY TAN SUN BLOCK

Picnic/Screening Event
25th of June 2-5pm

When it's the weather for leisure, STAY OUT OF THE SUNSHINE! Join us this Sunday for a casual picnic & screening social at The Residence. Break out the gingham blankets, sangria and egg sandwiches for a playful encounter with the real sexiness of summer. Beach dress optional. Bring picnic nibbles to share!

Featuring fabulous video shorts by Nicky Magiulo, Blue MacAskill, Gail Olding, Magali Reus and Antonio Gianasi.

+PLUS+

From the amazing collection of PATRICK WOLF's charity shop treasures, Patrick shares with us a major inspiration for his forthcoming album "The Magic Position"…

VOILÀ 2000
An unstoppable promotional video for Spain's Benidorm Palace. Nothing can describe the glory of spectacle quite like this video designed to attract holiday-makers. If you wish you could turn back time to possibly the greatest dance/music/drag/circus production ever, this is UNMISSABLE.

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IMELDA APPS

June 7 - 24

This new collection of pictures carries forward a theme Imelda first portrayed in a series called Silent Rooms.

With these works Imelda not only depicts an emotionally charged scene but also investigates the relationship between viewer and subject.

Each picture is a story in itself but not a story that is familiar or even completed. They are not like paintings in the tradition of Renaissance art; pictures from the Bible depicting well known heroic or tragic moments, the death of a Saint, or a Greek myth, or the Nativity. Rather they are actions frozen in a moment of time. And the figures carrying them out are not famous or familiar characters but people we know and recognise through our common humanity. And because they have not yet completed the actions, they remain full of potential.

Something has gone on before and something will go on again when we cease to look - that is their narrative power.

It is left to the viewer to interpret what they are seeing and in that process they become more than a mere spectator. They become a witness.

We are interrupting something but what?

"The subjects gaze out at the viewer or just over our shoulder or inward looking absorbed in their own world - distant and remote"

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MATTHEW BLANEY
CONCEPTUAL ART GALLERY

4th of June, 7pm-10pm

A private view.

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Me as Madonna

JIRI HAUSCHKA (Czech Republic)

May 24 - June 4

Prague Stuckist Jiri Hauschka presents a series of paintings created while residing in the UK this past year. They reflect experiences from his life in Brighton while working at the local rest home and from trips to London. The work presents Hauschka's signature style of painting on the border of abstraction and realism, expressive charge, strong lines, and broad balanced surfaces of vibrant colour. This work from his series entitled The Emotional Landscapes, departs from the border of abstraction/realism toward "realistic location". It is here where Hauschka exploits his painting style in which objects reach seemingly fluid form, feel dynamic, and in a convincing way contribute to the illusion of catching the moment.


Stuckists Dave Beesley, Charles Thomson, Jiri Hauschka, with Ingrid Z


Emotional Landscape

See the May/June issue of CEN Magazine for feature "Emotional Landscapes of Jiri Hauschka" by Rukhsana Yasmin

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Ann-Marie James, A pessimist is never disappointed, 2005

Sunday Monthly Screenings:
BASEMENT SCREEN


21st of May

Nick Goulis / Martine Dempsey / Toine Klaassen / Lisa Vinebaum/ Clare Gasson / Ann-Marie James / Yu-Chen Wang / Sheena Macrae/ Andro Semeiko / Laura White / Mathilde Hemmes /Simon Raven


Mapping 2'39" Laura White 2005

BasementArtProject.com is pleased to present a screening event at The Residence. Basement Screen will feature experimental films, performances and computer animation by 12 international artists.

Nick Goulis' animation work is a journey across time and space, inspired by the ancient Greek poem and remixed soundtrack of an 80's video game by Martin Galway. Martine Dempsey, Ann-Marie James and Sheena Macrae widely use footage from film and television as a readymade. Dempsey and James' video works questions how 'the screen' separates us directly from the events of real space and real time, whereas Macrae's fast-forwarded epic drama and multi-layered popular TV series explore the new dynamics of Hollywood clichés.

Toine Klaassen, Clare Gasson and Lisa Vinebaum involve themselves by taking part in their work. The performative engagement has extended throughout physical interaction, role-play and inner voices of specific individuals. As a former midwife, Mathilde Hemmes' artistic practice deals with the question of life and death extensively by using dead animals as a visual language expending the enforcement of gazing at the fragility and powerlessness to the viewers. Yu-Chen Wang, Andro Semeiko and Laura White's work explores our perception at large of the different context of regeneration, of everyday objects and of dislocation.

For more images of the event visit http://www.basementartproject.com/picturegallery/

BasementArtProject.com is a contemporary visual arts network run by London- based artist, Yu-Chen Wang, with international collaborations. It facilitates the development of web-focused work by artists and offers creative opportunities for international audiences on the internet. Parallel to the on-line space, BasementArtProject.com organises events and exhibitions in various venues across Europe.

For more information visit http://www.basementartproject.com

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LUCY MAY
CONGLOMERATES, PART 1

May. 3 - 14


Installation views and details from Lucy May: Conglomerates Part 1
mixed media, 2006

The subconscious narratives of memory and its fluctuating and fallible nature provide endless combinations of images and associations. The forms in May's work are Proustian outpourings of such material; an imaginative distillation of personal experience and memory.

The language of memorialisation informs the work. We ritually compensate for loss, death and the passage of time by using symbolic surrogates for our emotion. The work hints at the futility of this and acknowledges the fetishisation of the commemorative object. Tension in the work often results from the embodiment of the seemingly opposed: dead/alive, sinister/benign, abject/seductive, human/animal, personal/collective, remembered/constructed.

"My work often utilises the latent psychological content of children's book illustration, toys, museum artefacts and mythological characters. These entities, like the figures trapped in the margins of a book, the dreadful creatures inhabiting uncharted space on an old map, or the grotesques condemned to the service of architecture, are allowed to emerge autonomously in the work. Their emotive power eclipses their original function as they are liberated into a landscape of the imagination."

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ROBERT HAWKINS

April 19 - 30

"Robert Hawkins has executed 5 large (5x6 ft) graphite drawings of Famous Haunted English Ruins for a new gallery in London. I haven't seen these drawings, but I'm sure they're great. Everything Robert Hawkins produces, with a few exceptions (see: "Tales of Ovid posed by the Hawkins Goldfish", 1979) is great, since he is the greatest living artist. Now leave me alone!"

-Rene Ricard, Chelsea Hotel, 2006


Robert Hawkins

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COMPOSITIONS

April 7 - 16

COMPOSITIONS considers four photographic approaches to derelict spaces.

Jack Bevan explores past negligence in an abandoned mental hospital. His images, and the accompanying captions quoting the press, combine visuals and narratives in order to express actual negligence.

Max Taylor’s portraits investigate the relationship between people and places; in one series a saxophonist’s performance transforms the dark and shadowy space under a bridge, providing a safe passage through it.

Daniel Todd shows a simplistic beauty in decaying objects and surfaces. Similarly, Dean Kissick finds a derelict formalism in crumbling walls and dirty spaces.

Featuring: Jack Bevan, Max Taylor, Daniel Todd, Dean Kissick

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LEE CAVALIERE
CHINA SHARES

March 22 - April 2

Video artist and photographer Lee Cavaliere has recently returned from a six week mobile residency in The Xinjiang Uighur Autonomous Region, in North West China.

The residency in Xinjiang took the artist along the Old Silk Road, in order for the artist to spend time making work in market towns in a region that has for centuries struck romantic chords in the West. Trade has always been an important means of cultural exchange for this remote region, the show looks at how cultures adapt to accommodate modern notions of trade and capitalism, and the opportunistic politics of a wider world.

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Johnny Rawhide, lamda archival print, 30" x 40", 2006

INGRID Z
NIGHT IN SHINING ARMOUR

Feb 3 - March 19

BLACK HOLE DAD, NO DAUGHTER OF MINE,
TORONTO, LONDON, BERMUDA TRIANGLE,
NATURAL DISASTER, ABANDONED XANADUS,
KLAUS NOMI KITCHEN, RATS FOR FREE,
CIDER SUNDAYS, WHERE'S THE STRAW,
FUCK YOU ANDY.

This exhibition is the result of a month long exercise in which The Residence founder Ingrid Z brought her studio into the gallery, constructing a personal space within which to introduce the story of her life. Born in Toronto, Canada, and now living in London, this is her first solo exhibition in the UK.

Delving into past memories preserved in photographs, diaries and sound recordings, the artist travels through time in a search for her identity, origins and home. Thus a nebula of people, places and events is born out of the centre of her personal spectacle, and the Night in Shining Armour is revealed as a celestial network of shining stars and protective barriers, of lovers lost and houses abandoned.


My Father (In Loving Memory),
oil on canvas, 36" x 48", 2006

The absence of Ingrid’s unknown father is perceived as a black hole within her psychic cosmos, a mysterious void into which people and memories are consumed and lost, and a powerful force that transforms everything around it. Likewise, the terrible recurrence of family tragedies on the island of Bermuda, and the subsequent sense of enduring loss and the transience of life, is suggestive of the destructive void of the Bermuda Triangle; an unknown place where people disappear completely, an empty space that must be filled with love.

Visitors are welcomed into an immediate and spontaneous installation in which art and life collide, exploding like a supernova; the show is the fallout, the spectacle of the self exploded.

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PLAYGROUND 07
A LIFE CHAOTIC

Jan 30 - 1 Feb

Playground 07 is a collective of 7 budding illustrators wanting to make art in collaboration with the public. The project is delivered from the notion that making mess is a freedom we all enjoy as children and lose as we mature. This event presents an opportunity to regress to that spontaneity. "We are bringing people to a familiar space, surreally transformed but still recognizable where they can let go."

It all starts with a white room symbolizing a space in a house (such as a living room), which will be filled with things to suggest occupancy. Everything is a blank live canvas to begin with. Upon entrance, participants will be armed with an apron, water balloons and coloured paint to make their mark in our space. Participants are invited to fill the floor, walls, furniture and accessories with colour. Essentially, the room will become a three-dimensional page from a colouring book.

Featuring: Nori Bujang, Etsuko Kondo, Luisa Bacelar,
Lily Hsu, Mio Izawa, Yuzuru Hama and Jing Qian

View more pics here

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Paul Barritt, Drawings (detail), ink on paper, 2005

SOFT WARM PLACES CALLED HOME

Jan. 13 - 28

In 'Soft Warm Places Called Home', Paul Barritt, Lisa Freeman and Stephen Walter share their interpretations of home through drawing, painting and photography.

Through nostalgic drawings of found photographs (on found paper), Paul Barritt emphasises the timelessness of the family unit, and how all too often this is bound by gran who is just a little bit strange and wonderful. On the facing wall Lisa Freeman's painting 'Somebody's Daughter' smiles a vacuous smile in her prettiest bridesmaid dress, while Stephen Walter presents a collage of photographs and drawings constructing the image of a suburban landscape finding itself in between personal visions of beauty and the reality of its environment.

'Soft Warm Places Called Home' paints an infinitely diverse picture of home; from a place of intimacy and affection, to the place you know you will never escape.


Stephen Walter, Assemblage of Ambivalence (detail), 2006


Lisa Freeman, Bridesmaid, oil on canvas, 2006

CONTINUE TO VIEW 2005 ARCHIVE...

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